Love strikes at the most unseemly of events, when Kasi rescues Assi from the squirt of a water cannon, in the protests that follow. In one of the most arresting scenes in the film, a black dupatta seamlessly floats down the walls and windows of a professional college, sluggishly following its possessor who had thrown herself off the terrace. As the duo leaves, Da who still remembers with much adoration EMS and the comrade's song, admits that he would wait for the sound of their bikes again, while Gouri battles with a question that Suni chooses not to answer. Branded as naxalites, the villagers continue to carry on with their fight against a mining company that had set its eyes on their homes. Hashir Mohammed's firm script brings in Bimal Da (Dhritiman Chatterjee) and his daughter Gouri (Ena Saha) into the picture - living exemplars of a combat fought and lost. On the way to Kolkata on a dark night, Bamanghati appears nothing more than a cluster of lighted up shacks shimmering like glowworms, but down below a sordid tale of resistance and struggle awaits them. Leaving behind a broken heart in Puri, Kasi and Suni move on to Konark where the sun god shines over them in abundance.
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